September 23, 2016

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* MOVIE, MOVIES and more MOVIES! We cram in as many classic Drive-In movies, independent films and shorts as we can pack into a weekend. You’ll find movies and shorts on real 16mm film in our 200 seat “Film Room” and all kinds of indy films, shorts, and guest related features in our smaller, 100+ seat “DVD projection Room” all weekend long.

* Q&A Sessions, Live Movie Commentaries, Guest Talks and Movie Introductions... Our guests are always willing to interact with attending fans, and we’ve come up with all kinds of fun stuff for them to do over the years. Let’s see what we come up with for the next show shall we?

* Join us for “A GHASTLEE NITE AT THE MOVIES” every Saturday Night beginning at 8:00pm. Hosted by Dayton, Ohio’s very own A. Ghastlee Ghoul, “A Ghastlee Nite at the Movies” isn’t really a film screening at all. It’s more a night of “live entertainment” and laughs. Join us for an evening of silly skits, bad music, interactive games and contests, surprise guests and more.

* SURPRISES and MORE SURPRISES! With most of the shows we run, things fall together a few weeks before show time. Be sure to check back as the show draws closer to see if we may have a surprise guest addition, extra film screening, or special event added to the weekend schedule.

* EVERY CINEMA WASTELAND MOVIE AND MEMORABILIA EXPO offers attending fans over 60 Hours worth of Movies and Programming over the course of three days. And it’s all 100% Free with the price of admission. It can be a bit overwhelming, so be sure to check over the complete Weekend Schedule of Films and Events before you arrive so you can plot out your weekend early. The Weekend Schedule is usually posted 3 or 4 weeks before any given show.


You can't have a "Movie Convention" without them, can you? ABSOLUTELY NOT! And we plan on showing plenty of films on both 16mm Film and Video at Cinema Wasteland - Many of which may be hosted by the Stars and Directors appearing as Guests at the show. Our evening film show is Free to all attendees and hotel guests.

Here are the movies we are showing on 16mm film:

It’s been a few years, but A.D.D. Theater is back, and just as weird as ever! What is ADD Theater? It’s exactly what it sounds like. If you don’t have the patience to sit and watch an entire movie or get distracted because there is simply too much other stuff to do during a Wasteland Weekend, you can always drop in on ADD THEATER and enjoy a collection of 16mm short films. And not just any 16mm short films mind you. We root through the lead-lined Wasteland film vaults to dredge up some seriously rare and/or oddball stuff. This time around, we’ve got 90 minutes worth of 1970’s and 80’s shot-on-film head scratchers that will include:


THE BRAINIAC (1962) aka The Baron of Terror. In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive for witchcraft and necromancy by the Holy Inquisition. 300 years later, a comet that was passing over Earth on the same night the Baron was executed returns… and so does the Baron. But this time around, the Baron comes back as a silly brain-sucking creature (with a large pulsating head, pointed nose, forked tongue, and hose-like fingers), to take his revenge on the desendents of the group that condemned him to death. This campy Mexican monster movie is a true gem and a real fan favorite. Was it supposed to be this silly and more fun than it really should be, or was it actually made as a straight up horror film that went off the tracks? As with films like Ed Wood’s Plan 9 From Outer Space, who cares?! We’re just happy film like this exist and we get to screen them for people who may have never seen it before.

THE EYES OF CHARLES SAND (1972) Upon his death, Charles Sand receives what his Aunt Alexandra (Joan Bennett) calls “the sight”, or the ability to see the past,future, ghosts, and more from his uncle. Charles thinks it more of a curse than a blessing, and even at the funeral, he sees an apparition of a dead woman in front of a mausoleum and the very real Emily Parkhurst (Sharon Farrell) running around the cemetery in a panicked state. Charles finds a bracelet that Emily drops and heads to her family estate to return it. There he meets Emily’s sister Katherine (Barbara Rush) and her husband Jeffrey (Bradford Dillman) who tell her Emily isn’t well. Emily reaches out to Charles again shortly after the visit to tell him that she sees her dead brother everywhere and that the ghost he saw at the funeral was her dead relative Lottie. She popped up after Emily found her diary and now she thinks she’s doomed to relive Lottie’s life. It’s a race for Charles to solve the supernatural mystery and save Emily’s sanity in the process. Made back when the networks used name actors in their own film productions. Originally broadcast on February 29th, 1972 as an ABC movie of the week, the conclusion is left open ended so the network could have used the movie as a pilot and made a series out of it.

THE FAN (1981) Douglas Breen (Michael Biehn, in one of his first feature film roles) is lonely record salesman obsessed with aging actress Sally Rose (Lauren Bacall, who’s still looking good at 57, in her last starring role). Every day he sends off a gleaming letter of love and admiration to the point that it really becomes irritating to Ross’s assistant Belle (Maureen Stapleton) who is getting tired of sending back generic form letters constantly. His obsession turns psychotic and ugly when he finally gets a big “fuck off” letter from Belle and he snaps. Now, with his love turning to hatred, he sets out to make her life a nightmare in this early and little known slasher flick. Lots of unintended silly dialogue helps and although it’s not a gory film, there are a few moments of bloodshed to help get you to the end credits.

FINAL PERFORMANCE (1965) Hollywood writer, Cliff (Roger Perry) is driving down a country road when he’s flagged down by Rosie (Sharon Farrell), who begs him for a ride out of town. When Cliff tells Rosie he’s heading to Hollywood, Rosie tells him she’s heading there to “become a star” herself and wants to go with him. They’re not even out of town before the sheriff pulls Cliff over and throws the book at him. To make matters worse, Cliff’s car won’t start and he’s forced to stay in the only hotel in town while waiting on a part to fix it. The hotel is run by aging Rudolph Bitzner and is filled with photographs and memories from his career as vaudeville performer, “The Great Rudolph” which he eagerly shows off to Cliff. His only employee is Rosie, and she pleads to Cliff to help her escape so she doesn’t have to marry Rudolph in another week when she turns eighteen. With his car finally repaired, Cliff does come to help Rosie escape Rudolph. We find them sitting together on the stage in his makeshift theater. When he asks her if she wants to leave or stay, she repeatedly insists that she doesn’t want to leave and wished to remain with Rudolph… forever. Broadcast on January 18, 1965, this is one of the better episodes of The Alfred Hitchcock Hour and has a terrific twist ending that makes the whole episode worth watching. It’s also one of Sharon Farrell’s earliest roles and she does a terrific job as troubled Rosie.

FRANKENSTEIN’S BLOODY TERROR (1968) aka The Mark of the Wolfman. Paul Naschy is bitten by, and cursed to become Waldemar Daninsky, the most famous Spanish werewolf in film history in this, his first turn as the cursed wolf man. He’s is looking for a cure to his lyncanthropy and seeks out a German doctor and his wife, who just so happen to be experts in the occult. Unknown to Daninsky, he’s summoned a couple of vampires who have alternate plans for the werewolf in their midst. Loads of fun. And no, there isn’t a Frankenstein’s Monster anywhere to be found in this film so ignore that misleading American drive-in title.

Karen Tandy(Susan Strasberg) heads to thedoctor after the mysterious tumor growing on the back of her neck doubles in size in just three days. Doctors think it may actually be some sort of living creature growing inside the tumor and “bombard it with enough x-rays to see through Fort Knox.” Her friend, fortune teller and huckster Harry Erskine (Tony Curtis) dismisses it until one of his customers begins speaking in tongues and throws herself down a flight of stairs. When they try and remove the tumor, Karen’s surgeon even attempts to cut off his own hand rather than excise the tumor and Harry knows things are not right. He seeks help from fellow fortune teller, Amanda Crusoe (Stella Stevens) and her husband in an attempt to figure out the cause of these weird supernatural events. Eventually they enlist the aid of Indian medicine man John Singing Rock (Michael Ansara) who figures out that a 400 year old Indian spirit known as a Manitou is attempting to be reborn more powerful than ever. Can our motley crew save Karen and prevent the vengeful spirit from causing Hell on Earth?… Find out in this enjoyable and often over-the-top horror film from director William Girdler.

MARLOWE (1969) Young Kansasbeauty, Orfamay Quest (Sharon Farrell), has hired private detective Philip Marlowe (James Garner, doing a great job in the role) to find her brother Orrin. After two leads wind up with ice picks in their skulls, Marlowe discovers blackmail photos concerning television star Mavis Wald (Gayle Hunnicutt). When Wald refuses his help, he begins to wonder if there is a link between Orfamay and Mavis. Based on Raymond Chandler’s novel, “The Little Sister”, they replaced the 40’s film noir feel with a colorful and stylish 60’s vibe. It works well, just like Garner’s “Phillip Marlowe” character is very true to the character as written in the books. All of the female leads, including Hunnicutt, Farrell, and Rita Moreno, are excellent, mysterious, and even deadly in their own way. A great supporting cast, including Jackie Coogan as one of our first victims, Carroll O’Connor and Kenneth Toby as cops, and Bruce Lee as kung fu enforcer “Winslow Wong” are all great in their roles. Marlowe is a bit of a rare film and is not readily available. We’ve got a nice looking uncut film print we will be presenting and if you’re into crime thrillers, you won’t want to miss it.

SABATA (1969)
One of the most wonderfully enjoyable, over-the-top, and cartoonish spaghetti westerns made. Well-to-do yet obviously corrupt townsfolk plan to steal an Army safe containing $100,000 in pay roll money so they can buy up the land that the approaching railroad will be built on. Enter Sabata (Lee Van Cleef), a bounty hunter with questionable ethics and one helluva aim. He teams up with his former partner, Banjo (William Burger), a local bandit (Pedro Sanchez), and his gymnastic buddy Allycat to stop the heist and then blackmail the townspeople to keep his silence. The price of silence climbs with each failed attempt on his life. Yes, it can be just a tad bit confusing at times, but everything winds up nice and tidy by the end of the film and it’s such a fun ride getting to the conclusion that you may not even notice.

SATURDAY MORNING CARTOON HOUR - Resident horror host, Son of Ghoul, will once again put together an hour’s worth of original cartoons to kick off Saturday morning. He often times digs up those old cartoons that were deemed “politically incorrect” by the stuffy douche bags who can’t pull their heads out of their asses long enough to take a breath of fresh air… which is just the way we like it at Cinema Wasteland! Cartoons kick off at 9:30am on Saturday mornings in MOVIE ROOM 1, so be sure to stop in and see what’s in store this time around!

THE THREE STOOGES HOUR - It’s been a tradition since the very first Cinema Wasteland Show to screen Three Stooges shorts on Saturday morning. Resident horror host, Son of Ghoul, took over the job of sorting out which Stooge shorts to run when he mentioned that he owned every short on 16mm film. Stooge hour moved from early mornings to Noon on Saturday and the rest, as they say, is Wasteland history.

Brand new intermission reels will once again screen between our Friday and Saturday night double features (and again on Sunday between the 16mm film screenings) at our next show. Chock full of assorted movie trailers, cartoons, old intermission and snack bar spots and public service announcements, these twenty minute reels will bring back memories of drive-in days gone by and are always a big hit with our attendees.

Here are the movies we are showing on DVD Projection:

THE ALIEN FACTOR (1979) A spaceship crash lands outside Baltimore and a trio of alien creatures emerge to terrorize the local townsfolk in this cult B movie gem from director Don Dohler. Look out for The Leemold, a reptilian monster that can suck the life force from humans. Side step The Inferbyce, a gooey clawed creature from beyond the stars; and beware the walking carpet known as Zagatile for rug burns can hurt a plenty! Watch for local Baltimore thespian and Dohler regular, George Stover, and TV Horror Host and CW Show semi-regular, Count Gore DeVol, sans make-up in a regular acting role as “Mayor Wicker.”

THE BIG F (2016) A frustrated Bigfoot is on the loose after he’s teased by a prostitute. Meanwhile, Jenny is housesitting and invites her cousin Angie over to spend the night. Angie in turn invites a couple of guys over. Add in our escaped Bigfoot, neighbors Chuck and Mark… ah, Maverick, and who knows how things will end?

Henry Penderecki (David Naughton) was once the toast of Hollywood with a string of money making horror films under his belt. He hasn’t had a hit in years and most people think he’s washed up and has disappeared. Finally given the chance to make his comeback picture, Brutal Massacre, Henry has a documentary film crew on hand every step of the way to chronicle the production. This amusing mocumentary is really an underrated gem that seems to have passed by the fans that would really enjoy it most. It’s also stars a who’s who of names you will know, including Brian O’Halloran, Gunnar Hansen, Ellen Sandweiss, Ken Foree, Betsy Baker as a casting director, and Theresa Tilly makes an appearance as a waitress.

After Duke, a carousel unicorn becomes sentient, he decides to leave the amusement park, move on, and lead his own life. He also discovers that killing people “just feels right” and decides to go after Larry, the chubby kid that had the nerve to wipe his snotty hand across his face. Duke trails Larry and his older sister Lori to a party she dragged her younger brother to. As Duke’s victims start to pile up, we learn from amusement park mascot, Cowboy Cool, that Duke is evil and he was assigned the job of keeping an eye on him before he escaped. Can Duke be stopped, or will humanity have to face the wrath of a carousel unicorn gone bad?…

DEVIL’S ANGELS (1967) One of the better biker movies made during the mid-to-late 1960’s (is the followup to The Wild Angels) and stars brooding John Cassavettes as Cody, leader of the The Skulls motorcycle club. After Gage (Buck Taylor) hits and kills an innocent bystander with his bike, Cody decides the gang should blow town to avoid the cops. They stumble upon the little town of Brookville and after local girl Marianne (Mimsy Farmer) comes on to one of the gang members and they get her high, the town freaks out and assumes she was raped. It’s not long before a gang of 200 bikers invades town, all hell breaks loose, and Cody becomes disillusioned and has enough of this sort of life.

DON’T ANSWER THE PHONE (1979) Kirk Smith is a disturbed Vietnam vet and photographer who has taken up to abusing and strangling lingerie-clad young women around LA and then taunting radio psychologist Lindsay Gale about his sexual hang-ups and brutal ways on her radio show using a latino accent and calling himself “Ramon.” Detective McCable seems to always be two steps behind our psycho and things get ugly when he sets his sights on Doctor Gale. I caught this seedy slice of drive-in exploitation on a double bill when it was originally released over 35 years ago. Old VHS prints were dark and grainy and until now, an uncut version was never released on DVD… And that release sort of just slithered its way out.

THE EVIL DEAD (1981) Five college students set out to spend the weekend at a remote cabin in the Tennessee mountains. As if the place isn’t creepy enough on its own, it seems that an ancient Sumerian demon was set free by the last inhabitant of the place and is now roaming free and attempting to possess the group, transforming them one at a time into ugly, disfigured, demon-like monsters. Well paced, with solid acting, great camera work, and plenty of over-the-top gore scenes made Evil Dead a cult classic among horror movie fans.

From the do-it-yourself or die trying days of the 1980’s comes Galactic Gigolo, a movie that’s so bad, I couldn’t stop watching it. Eoj (Carmine Capobianco) is an alien that wins a game show grand prize on his home planet. His prize? A trip to Earth and the chance to have sex with as many earth women as he possibly can. Hildy (Debi Thibeault, co-star of Psychos in Love) is a reporter writing a biography on Eoj’s adventures.

GOOD MORNING CARLOS (2016) Poor Carlos is at his wits end. He’s bound and can’t take a healthy dump. The voices in his head are driving him nuts, and to top it off, his doctor has had enough and is now obsessed with his demise! This demented slice of short film madness came all the way from Brazil to make CW attendees scratch their collective heads.

Michael Pataki is a vampire that rapes a woman in an open grave. She gives birth to a son that drinks her blood until she dies. The vampire kid grows to become a reluctant vampire himself, played by B movie icon, William Smith. Smith sets out to find and kill his father and finds him teaching college courses in occultism in this Drive-In classic.

HARDCORE WRESTLING HOUR - Not into cartoons? Then why not grab a seat and catch an hour’s worth of hardcore wrestling. Often times co-hosted by Pete Chiarella and “Mr. Insanity” Toby Klein, the hardcore wrestling hour always offers up enough in ring violence and bloodshed to start your morning right. Arrive early and enjoy the whole gory show on Saturday morning in MOVIE ROOM 2.

Once upon a time, a woman from a rich family was raped at a cocktail party and traumatized by the event, decides to live on a secluded island. Forty years later, we find a boat load of horny young adults crash on the same island after douchebag Nick crashes their boat on the rocky shore and strands them there. Now the group has to survive as some sort of monster is stalking and killing them off one by one in this better than average Canadian slasher film.

INNSMOUTH (2015) There’s something weird about a recently discovered dead body and a big clue lies in the sediment found on the corpse that can only be found in the town of Innsmouth. Detective Olmstead decides to investigate… And it very well maybe the last thing she does in this well made Lovecraftian short film.

OFFSPRING (2009) The last survivors of a feral clan of flesh-eating savages are abducting and chowing down on a nearby small town. Locals Amy Halbard and Clair Carey are abducted by the cannibal clan and try like hell to not just survive, but save their kids. The budget may have been smaller than it needed to be to make this Jack Ketchum horror film really pop, but the film heaps on the cringe moments expected of a Ketchum script, offering up a tasty selection of kids killing adults, dead babies, flesh eating, and various birthing rituals that will make your dick want hide behind your ass crack. Catch this and the followup film, The Woman, in a double feature.

Cleveland area horror hosts, Janet Decay and Grimm Gorri, put together a nice tribute to Cleveland’s very own Marty Sullivan, better known to thousands of Cleveland area kids in the 70’s and 80’s as Superhost, who aired on Saturday afternoon and offered us 70’s kids an endless diet of Big Monster movies, Three Stooges, and the occasional rant against paying too much in taxes and/or government waste. Kick back and enjoy a few classic Supe skits, fan memories, a Three Stooges short, the 1958 Tales of Frankenstein television pilot, and an interview with Marty Sullivan himself; all hosted by The Mummy and The Monkey.

NUTSACK PART 1: LUCIFER’S COSMONAUTS (2016) What does a druggie that’s fresh out of the nut house and looking for work, a weird satanic book, and a little creature with tentacles that tears people apart all have to do with each other? Catch this surreal little gore flick from the twisted mind of James Bell and find out for yourself.

Bar owner, Joe, was a lonely guy. He’s also a serial killer so it’s sort of hard to find the right girl when you usually end of killing them after a couple of dates. One day, Kate walks into his bar. She seemed perfect enough. She hated grapes like Joe did, but she hid a terrible secret. She too was a serial killer. Can you blame them for falling in love? Then, when all seemed perfect, in walks Herman, the local plumber who will find some interesting stuff in their clogged sink drain. Herman is also a cannibal. He wants fresh meat and blackmails Joe and Kate into doing his dirty work. We kicked off the April 2016 CW Show with PIL because CW Guest, Jennifer Aspinall, worked on the effects crew early in her career and was in charge of the special effects props. The first screening of the weekend is never attended well and we’ve got writer, producer and star of PIL, Carmine Capobianco, as a guest at the Fall Show. We’ll give it a better time slot this time around since we feel more people deserve to see it than the handful that caught it last time it screened.

Is dear old Santa some sort of demon? Is he really a friend to children, or is he something more perverted than that? Forone woman, her dreams of jolly ol’ Saint Nick aren’t all that jolly at all. He knows when you aresleeping… And that’s what you need to worry about most in the latest from Bill Zebub!

THE TOMB OF LIGEIA (1964) Several years after losing his beloved wife Ligeia (Elizabeth Shepherd), Verden Fell (Vincent Price) meets and eventually marries the lovely Lady Rowena (also Elizabeth Shepherd). Over the years, Fell had become something of a recluse and lived in a small part of his now ruined Abbey with his manservant Kenrick. All the while, he remained infatuated with his late wife and convinced that she will one day return to him. And even though Fell is a weird dude with overly sensitive eyes, all goes well when Fell and Rowena are first married. But sadly, he returns to his normal erratic behavior after they return from their honeymoon. The memories of Ligea continue to haunt him until we reach the rambling tragic ending. As with most of the Roger Corman Edgar Allan Poe films, Vincent Price is terrific as the guy who finds himself in perpetual agony over the loss of his wife, while Elizabeth Shepherd is more than just eye candy in the dual role of both of Price’s loves.

THE TOOLBOX MURDERS (1977) A maniac in a ski mask is stalking women in an apartment building and killing them using the contents of your average every day toolbox. Vance Kingsley (Cameron Mitchell) seems the culprit, but fingers point to his nephew Kent (Westley Eure) as well. When Laurie (Pamelyn Ferdin) is kidnapped by our maniac and what little plot unfolds, the chase is on to find our killer before her fait is sealed. Marciee Drake, Evelyn Guerrero, and Marianne Walter (aka adult film star Kelly Nichols) are all young beautiful victims, with Walter’s death by nail gun a memorable moment.

THE WEREWOLF OF WASHINGTON (1973) Gunga Jim’s Friday Nightat Gunga’s Drive-In Movie of the Show - Reporter Jack Whittier (Dean Stockwell) is sent to Budapest after he has an affair with the President’s daughter. He gets bit by a werewolf and transferred back to the U.S. to act as Press Secretary. Then the bodies start turning up… Jack keeps trying to quit his job, but the President (a wonderful Biff McGuire, channeling his inner Richard Nixon) is the most clueless moron and won’t let him. And what in the world is Michael Dunn doing in the White House basement conducting weird ass experiments?… Stockwell must have really needed a paycheck to star in this thing.

THE WOMAN (2011) They may look likea seemingly happy family enjoying a backyard BBQ with friends, but it isn’t long before you realize that this family has more than its share of secrets they are hiding. The wife (Angela Bettis) always seems to be walking on eggshells around her husband (Sean Bridgers). Their teenage daughter (Lauren Ashley Carter) is having trouble at school. Dad may look like a typical upstanding citizen, but he’s really a wolf in sheep's clothing; while their teenage son (Zach Rand) is starting to show signs of being the same kind of psychopath that dad is. During a hunting trip, dad finds a feral woman (Pollyanna McIntosh) in the woods. Instead of calling the cops, he decides to bring her home, stash her away in the backyard cellar, and clean her up and domesticate her. Is it any surprise that things don’t go as planned and we’re served up a wonderfully disturbed and gory ending to the story? Not to us it’s not. It’s based on the book by Jack Ketchum after all. Never seen The Woman? Then take a roller coaster ride you aren’t soon to forget when The Woman gets a screening at the Fall Show.


** Please consult the Cinema Wasteland Program Guide upon checking in for a complete film show listing and their approximate starting times. The film line-up is subject to last minute changes. **